Todd Phillips

Todd Phillips

Director
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Life Story

Todd Phillips was born on December 20, 1970 in Brooklyn, New York City, New York, USA as Todd Bunzl. He is a producer and director, known for Due Date (2010), Old School (2003) and The Hangover (2009).

Family

No info available

Trivia

Attended NYU Film School but dropped out before graduation to promote his first documentary Hated: GG Allin & the Murder Junkies (1993).
Originally meant to direct Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006); however, he quit the production after shooting the infamous rodeo/"Star Spangled Banner" scene, due to creative differences with Sacha Baron Cohen.
A co-creator of the New York Underground Film Festival (along with Andrew Gurland), Phillips was an expert at playing the media and causing sensation. He made a name for himself with Hated: GG Allin & the Murder Junkies (1993) and latched on to the controversy surrounding the documentary ChickenHawk (1994).
Has cast Matt Walsh in all of his movies.
Frequently uses the music of Bill Withers and Wolfmother in his movies.
Born on the same date as Nicole de Boer.

 

Personal Quotes 

[ on Ed Helms] It's been said comedy is not action, it's reaction, and Ed is the KIng of Reaction. Ed, when he wakes up and sees his tattoo on his face or his tooth is missing, or at the end of the movie - no one does reaction better than Ed. He's the unsung hero of these movies.
The worst thing you can do as a comedy director is be on set and think of something ridiculous, or an actor comes up to you with something ridiculous, and you say 'No, no that's too much.' Let's not worry if that's too much, let's shoot it, and then decide if that's too much when we see it.
You know, if I started worrying about what the critics think, I'd never make another comedy. You couldn't pick a less funny group than critics - you couldn't find a more bitter group of people!
To be honest with you, since 'Ocean's 11,' 'The Hangover' has become a movie that defines Vegas. Anybody in Vegas will tell you that and I'm proud of it. I love that. I think 'Hangover' does Vegas right and I think that not only, as you said, it's the top-grossing R-rated comedy of all-time, it's also the top-grossing about Vegas or set in Vegas.
There's a punk-rock attitude, clearly, to 'Hated.' There's even a punk-rock attitude to 'The Hangover,' I think. We start the movie with a Glenn Danzig song.
I got nominated for an Academy Award(R) for writing 'Borat.'
Bangkok, like Las Vegas, sounds like a place where you make bad decisions.
Directors tend to be more underrated than overrated because it's a quiet job and people don't really understand it.
There's a darkness under 'The Hangover' because ultimately there's a missing person and it's not really that funny. There's a sort of darkness under it that I love, and still people are laughing as hard if not harder than they did in 'Old School.'
It's all about escapism. That's essentially what all movies are about. It's a vicarious thrill.
I really got into filmmaking through photography.
I find I like to work with a lot of the same actors, because I find that there's sort of shorthand there, and there is this unspoken trust, both ways. They trust me and I trust them. And I know what I'm going to get from them, to an extent. It's just fun, kind of creating this little family.
It's heartbreaking when you hear a kid buying a ticket for... I don't know, whatever movie you're up against. And you see them sneaking into your film. It's just heartbreaking. But in the spirit of full disclosure, that is what I did as an 11-year-old sneaking into 'Stripes.'
Comedy is so subjective. You could be in a room with 400 people laughing at a joke and you could just not think it's funny. You're just sitting there like, 'Am I in the twilight zone? Why is everyone laughing?' It's such a personal thing. People have such a personal visceral response to comedy.
Reality television hasn't killed documentaries, because there are so many great documentaries still being made, but it certainly has changed the landscape. There is this breed of gimmicky documentary that is basically a reality show.

 
Filmography

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