Eli Roth

Eli Roth


Life Story

Eli Raphael Roth was born in Newton, Massachusetts, to Cora (Bialis), a painter, and Sheldon H. Roth, a psychoanalyst, psychiatrist, and clinical professor. His family is Jewish (from Austria, Hungary, Russia, and Poland). He began shooting Super 8 films at the age of eight, after watching Ridley Scott's Alien (1979) and vomiting, and deciding he wanted to be a producer/director. With his brothers and friends, ketchup for blood and his father's power tools, he made over fifty short films before attending film school at N.Y.U., where he won a student Academy Award and graduated Summa Cum Laude in 1994.



Lorenza Izzo (8 November 2014 - present), 


He won a Student Academy Award in 1995 for his N.Y.U. thesis film Restaurant Dogs (1994).
He spent six years researching a project for director David Lynch and composer Angelo Badalamenti that will be written for Broadway.
He got his idea for Cabin Fever (2002) when he was in Iceland and contracted a case of a flesh-eating disease. The now infamous shaving-legs scene in the bathtub is based on when Roth shaved his face and layers of skin came off while having the disease.
He was the inspiration for the character Eli, the aspiring porn director, in the film The Girl Next Door (2004). One of the writers was friends with Cabin Fever (2002) editor Ryan Folsey, and spent time in the editing room, secretly writing down everything Roth was saying. Roth found out about this when several actors he knew auditioned for the film, and told him there was a character named Eli who spoke exactly like him. Roth confirmed this with the writer, who was promptly kicked out of the editing room.


Personal Quotes 

[interview with Dave Kehr in the New York Times, September 2002] I'll direct any movie starring a monkey or the Olsen Twins. Preferably both.
I would shoot in the Czech Republic over the States any day. There's no unions here, so the dollar goes a lot farther. You can film with kids without the same kind of strict regulations and hassles you get in the U.S.
I know your second film can make or break you, because you're either a bona fide director or a one hit wonder.
I am very lucky to have good people around me to bounce ideas off of. They bring out the best in you.


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