Kimiko Glenn was born and raised in Phoenix, AZ, where she grew up with her sister Amanda, and parents Mark and Sumiko. She started doing theater when she was ten years old at Valley Youth Theatre and there, began developing her love for performing.

Halfway through her freshman year of college at the Boston Conservatory, she was cast in the 1st National Tour of Spring Awakening. After touring for two years, she finally settled her life in New York.

Since then, she starred as the title role in La Jolla Playhouse's "Yoshimi Battles the Pink Robots", directed by Des McAnuff; and played the bratty Princess Ssu-Ming in the Playhouse's production of "The Nightingale", directed by Moisés Kaufman. She was honored to perform at the Delacorte Theater for Shakespeare in the Park, in The Public's "Love's Labour's Lost", directed by Alex Timbers. She had a blast originating the role of Emily in the Off-Broadway production of Julianne Moore's Freckleface Strawberry and is proud of the many exciting projects she has been a part of. Favorites include: Behind the Painting written by Maltby & Shire; Plop, written by Bare's Damon Intrabartolo; Yeast Nation from the creators of Urintetown at the NY Fringe festival '11; Crossing Over as part of the National Asian Artists' Project; and the staged reading of Cheer Wars -- her very first New York job.

Kimiko has also appeared in feature films Construction (2015); Nous York (2012); and Hair Brained (2013) starring Brendan Fraser & Parker Posey; and the movie-musical short, Galaxy Comics, by director Kevin McMullin. You may have seen her in the 2011 Disney/ABC Diversity Showcase directed by Ted Sluberski and Joe Ward. She was thrilled to shoot NBCUniversal's half-hour comedy pilot Holding Patterns; and will be joining the cast of Orange Is the New Black (2013), a Netflix series, as Brook Soso.

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Trivia

Her father is of German, Scottish, and Irish descent and her mother is of Japanese ancestry.

I come from a theater background, so usually, at the start, you know what happens and where the character goes and everything. But with TV, it's really unpredictable.
When I think back on high school, I always tried to make silly videos with my friends.
Thinking back on it, I just really didn't have very many role models to look up to when it came to Asian actresses. And in that way, when I would see an Asian onscreen, it would be a secondary-type thing, and that's kind of how I ended up viewing myself in the world: as secondary.
I was kind of an obnoxious kid. I would imitate Celine Dion. I would jump around and belt to the rafters and do the accent and everything.
I'm a carb-y person. I love pastries and whatnot.
There aren't as many roles, and I think there's a lack of openness in casting an Asian character in a leading role or unless they're a stereotype. It's been hard. I've been able to play some non-stereotypical roles, which is great, but I have a lot of Asian actor friends who are struggling.
I was born and grew up in Phoenix, and I left there when I was 17 to go to Interlochen Arts Academy - a boarding school in Michigan - for a year, and then I went to college for a year at The Boston Conservatory and landed the 'Spring Awakening' tour midway through my freshman year, which was pretty cool.
I really loved to sing all the time, and I was constantly entertaining. Finally, my dad saw an article in the local newspaper in Phoenix, and it was for a children's theater, an audition for 'Snow White and the Seven Dwarves.'
I'm actually more German than Scottish. I'm half-Japanese, 25 percent German, 12 percent Scottish, and 12 percent Irish.