British actor Clive Owen is one of a handful of stars who, though he is best known for his art house films, can handle more mainstream films with equal measures of grace and skill. Owen is typically cast as characters whose primary traits are a balance of physical strength, intellect, conflicting soul but forceful will. He is best known to film audiences for his work in Children of Men (2006), Closer (2004) and his breakout part in Croupier (1998). He recently portrayed Ernest Hemingway in the HBO made-for-TV movie Hemingway & Gellhorn (2012).

Born in Coventry, in England's West Midlands county, on 3 October 1964, Owen is the fourth of five brothers. He is the son of Pamela (Cotton) and Jess Owen, a country and western singer. His father abandoned the family when he was three years old, and Owen was subsequently raised by his mother and stepfather. He attended Binley Park Comprehensive School and joined the youth theater at 13 after playing the scene-stealing role of the Artful Dodger in a production of "Oliver!"

Acting was not his first choice as a profession, but he changed his mind and went on to graduate from the Royal Academy of Dramatic Art in 1987. Owen proceeded to join the Young Vic Theatre Company, where he honed his craft while performing in a number of Shakespearean productions.

Clive made his film debut in the British-made Vroom (1988) co-starring with David Thewlis as two fellows who restore a classic American car and take off on the road. Within two years, Clive became a full-fledged TV star playing devilish rogue Stephen Crane in Chancer (1990). However, the now-sought-after Clive abandoned the star-making part at the height of the show's popularity because of unwanted invasion of privacy and his fear of typecasting. His next project raised more than a few eyebrows when he filmed Close My Eyes (1991) in which he played a brother who acts on his incestuous desires for his older sister. Clive's reputation as a lovable shyster was completely shattered and he lost profitable commercial endorsements following the film's release. Offers fell off for the next two years as a result. But the persistent Clive carried on with stage work, including the role of a bisexual in a production of Noël Coward's "Design For Living." He returned to TV at that time as well and played a number of roles in both mini-movies and series.

Trivia

Had a recurring role on a series of BMW commercials as their mysterious driver. He played a valet in the film Gosford Park (2001) and played a fellow "Agent" named the Professor in The Bourne Identity (2002) who was sent to kill Bourne.
Was accepted into the Royal Academy of Dramatic Art in 1984. After he graduated, he joined the Young Vic Theatre.
Has four brothers and was raised by his mother and stepfather.
Has 2 daughters, Hannah Owen (born 1997) and Eve Owen (born 1999), with Sarah-Jane Fenton.
Is a huge David Bowie fan and has called singer "the biggest musical influence on my life." He says, "I don't know why, but no one else has ever had such an effect on me. I didn't have most of his work. I had everything." In the 1970s, when Bowie was changing his appearance and style with every album, Owen would re-dye his hair whatever color Bowie's was at the time.
Turned down the role as The Driver for BMW twice. He was sent a copy of the script for the first ad, read it and was impressed by its presentation. He immediately accepted the role, jumped on a plane to LA, and was whisked away to the set of the first ad as soon as he landed.
Two of his brothers, Alan and Lee, became musicians and released a single called "Heartbeat."
Met his wife at the Royal Academy of Dramatic Art while doing Romeo and Juliet.
Mentioned in the song 'Risen Within' by MC Homicide featuring PAZ.
When his Beyond Borders (2003) co-star Angelina Jolie told him he looked sexy, she says, he "fell over laughing".

Personal Quotes 

I've never been interested in playing good guys. I'm always attracted to dangerous characters. Those roles are usually far more interesting and I hold no fears about doing them. With my character in Croupier (1998), you're never really sure where he's coming from. He's not really a good guy or a bad guy. But people generally aren't, are they?
The sexiest part of the body is the eyes. Corny, but that's what I believe. They're what connect us as human beings.
Theatre uses a different energy. It's like going to the gym and having a vigorous workout. But every few years is enough because I love filming. I am a real film animal.
When I was 10 or 11, I played the Artful Dodger in a school production of 'Oliver. From that point forward, I said I wanted to be an actor. Nobody in my family took it seriously, but I saw no other path. I was a cocky little kid. This one teacher said: 'You're a working-class kid from Coventry. What do you know?'
Theater is like exercise. I feel it's healthy. But I don't love it as much as movies. A bad experience in the theater can be so depressing. You've got to do it every night, even if the production is not working.
The lighter stuff has got to be really well written for me, or it just doesn't get me going. There's something to play if there's conflict going on. Whatever that conflict is, that's where drama is; if the character is grappling with something you've got something to play, there's layers to it. And when that isn't there it's ... less interesting.
[Talking about Daniel Craig]: "I think when Craig first took the (James Bond) part he got a pretty rough ride, which to a certain extent is inevitable because there are so many different people who have so many different ideas about something like that. You are never going to please everybody. The thing that is really exciting is that he is a proper actor. He is not shallow or posing, they have cast a really serious actor and I think that when the film comes out everyone will see what a great choice he was".
Bond was the best thing that never happened to me. I was never in the running but the more I said so, the more people thought I had it in the bag. What's so funny about it all is my career in Britain was in really bad shape at the time, but my agents pretty much built me a new one in America by playing up all the Bond stories. All I had to do was keep on telling people I was never going to be Bond. I'd like to think I made it on talent, but it's really just dumb luck. If I hadn't worn that tux in Croupier (1998), I'd still be begging for the parts Robson Green turned down on cop shows.